Paul,
All your messages lately are coming to me (and possibly others ) as a
string of words down the left hand side of the screen - awkward to read.
On Thu, 2 Jul 2020 at 09:01, pn1@...> wrote:
> I guess the original photographer(s) assigned the rights to the TMSV.
> There would have only been a limited number of photographers prepared to
> share their collections. Also the TMSV tended to “keep to itself” so there
> wouldn’t have been a wide choice of contributors.
>
> I’m still thinking much of the material probably comes from Rodney Hudson
> (deceased).
>
> The photographers would be well into their 70s perhaps older – if still
> alive.
>
> Noel Reed was probably the best tram photographer of the era and his style
> is instantly recognisable. As also mentioned elsewhere, Noel benefited from
> a career position that enabled him to use high quality camera equipment.
> The results speak for themselves. Noel was also from a comfortable family
> background that offered opportunities to visit different systems around
> Australia in the early 1950s when money was generally tight and travel
> opportunities limited.
>
> Also there must be some/several “unknown” tram enthusiasts who kept to
> themselves. They may have left “unseen” collections behind. When the person
> has passed on, it’s not unknown for family members not to realise the
> “value” of such material.
>
>
>
> Speaking of unknown enthusiasts, I know of a fan who, not too long ago,
> got chatting with a gentleman at a social function. By pure chance, trams
> were mentioned and it came out that this person was a dedicated “gunzel”
> with an extensive knowledge and experience of overseas tram systems
> particularly. He had “kept to himself” and had not previously disclosed his
> hobby to others. We are talking about people in their mature/senior years.
> Amazing.
>
>
>
> Paul in Melbourne
>
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--
cheers and best wishes,
David in Avenel.au
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